About

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Megan Milks is a fiction writer, cultural critic, and scholar. Named one of Dazed Digital’s “LGBT Writers to Watch” in 2016, Milks is obsessed with form, genre, agency, identity, the body, adolescence, and the ethics of relationships. Their fiction works with comedy, horror, and popular texts, as well as trans, queer, and feminist theory and politics. Their first collection of short fiction, Kill Marguerite and Other Stories (Emergency Press, 2014) won the 2015 Devil’s Kitchen Award in Fiction and was named a Lambda Literary finalist in the Debut Fiction category; and their third chapbook The Feels was released by Black Warrior Press in 2016. Their stories have been published in three anthologies, as well as many journals including FencePANK, LIT, Western Humanities Review, and Yes Femmes; two have been adapted for performance. They also guest edited The &NOW Awards 3: The Best Innovative Writing, 2011-2013, published in March 2015.

Milks’s criticism concentrates on contemporary literature, film, and performance and visual art, and has been published on 4ColumnsLos Angeles Review of Books, The New Inquiry, Fanzine, and the collective blog Montevidayo (now defunct), among other venues. In 2014, their essay on Kate Zambreno’s novel Green Girl won a Critical Hit Award from Electric Lit.

In addition to contemporary art and literature, Milks’s interests include transgender, queer, feminist, and disability studies, asexuality studies, and critical psychiatry. The volume Asexualities: Feminist and Queer Perspectives, which s/he co-edited with KJ Cerankowski, was published by Routledge in March 2014 and has recently been released in paperback.

They are currently fiction editor at The Account and a contributing editor at Entropy, where they edit the Name Tags series on issues related to names and naming.

Milks reads, writes, teaches in New York, and is represented by Rachel Crawford at Wolf Literary Services.

Contact: maybe dot milks at gmail dot com.

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